One can almost fell the cramp of an exhausted hand on this absorbing show of 17 paintings and mixed-media works, each of them packed with obsessive, indecipherable printing and handwriting. One small white painting, Epic, suggests an old, sepia-toned manuscript written in a spidery hand on a clay tablet. Elsewhere, layers of print dissolve into texture, with the look of something densely woven or embroidered. In Sinking Motives, the tortuous, loopy flow of black marker across a semi-transparent sheet of mylar suggests the unconscious. In a semi-abstract landscape, Lost Horizon, it soars across the sky like pure gesture liberated from all obligation to be literal. Until Nov. 22